A circus ticket is already theatrical — bold, loud, a little chaotic. The challenge here was to design the same ticket twice: once in English, once in Russian (Cyrillic), while keeping the visual identity intact across two completely different scripts. Typography isn't just about aesthetics — it's about how letters behave, breathe, and take up space. This project pushed me to think about letterform as architecture, not decoration.

hover to flip ✦

// hover over tickets to flip — english & russian versions